The district of Kamiros (Κάμειρος, Kameiros or Camirus in Latin) stretches along the northwest coast of the island close to Cape Ayios Minas (ancient Mylantion) in the foothills of Mt Akramytis. It is one one of the three Rhodian cities (together with Lindos and Ialysos) mentioned by Homer.
In prehistoric times the Mylantian gods, who taught mankind milling and kneading, were worshipped here; a Mycenaean necropolis have been excavated at Kalavarda, west of Kamiros. Findings from the Geometric period (8th c. BC) testify the existence of a temple dedicated to Athena on the Acropolis. It is known that the earthquake of 226 BC destroyed the Classical city and probably the Classical temple of Athena Kameiras.
The Hellenistic city was built on three levels according to the Hippodamian system (Ιπποδάμειος – an urban planning based on a grid system). On the summit of the hill was the Acropolis with the Temple of Athena and the Stoa. On the middle terrace was the settlement and lower down the Hellenistic temple, Doric Fountain-house, Agora and Peribolos of the Altars. The area was embellished with numerous votive offerings, stelai and plinths with statues. The earthquake of 142 BC destroyed the city for the second time.
The site runs dramatically down to a cliff that overhangs the sea. High on the rise are the columns of its acropolis; threading underground are the 3.500-year-old water systems; and casting shadows on the ancient floors are the walls of houses whose original owners claimed they could recall how Cassius came to punish the island for siding with Mark Antony, taking back with him 3.000 works of art. Some are now in the Vatican Museum.
First excavations started in the Victorian era by English and French archaeologists. In particular, the Acropolis was first excavated by Biliotti and Salzmann from 1852 to 1864. In 1928 during the Italian occupation of the island, the Italian Archaeological School began a systematic excavation of the area together with restoration work which continued until the end of the 2nd World War.
The archaeological area of Kamiros comprises the settlement, which was built on three levels, with the following monuments:
Acropolis and Precinct of Athena Kameiras
The Doric temple, a tetrastyle peripteral (with porticos on all four sides), was surrounded by a peribolos. It replaced a previous Classical temple which was destroyed by the earthquake of 226 BC. Only its foundation has survived. Reservoir. A rectangular construction lined with plaster. Terra-cotta pipes and two apertures with stone covers on the bottom served to carry the water to the settlement. It had a capacity of 600 cubic metres of water, a reserve sufficient for 300-400 families. Steps on the sides facilitated access to clean the reservoir, which was covered. It dates to the 6th-5th c. BC. In the Hellenistic period its place was taken by a stoa, which put it out of use.
This consisted of two rows of Doric columns and shops or lodgings at the rear for the worshippers. The columns at the front supported an architrave with metopes, triglyphs and a cornice (3rd-2nd c. BC). There was an impressive water supply system under the floor with wells (with covers, according to an inscription), subterranean tanks and terra-cotta water pipes, which replaced the earlier reservoir.
Four-sided Hellenistic Altar (in front of the Doric Stoa)
Settlement of the Hellenistic and Roman periods. Built according to the Hippodamian system (with a grid of parallel streets and residential blocks of the same size, called insulae), it spread over the middle terrace of the hill. A principal feature of the houses was the interior colonnaded courtyard with one side usually higher than the others (Rhodian peristyle). They were adorned with mosaic floors and facades with architraves and painted decoration on plaster. Among them are the remains of public baths with hot and cold chambers and hypocausts (underfloor installations for heating the rooms).
Located on the third and lowest terrace of the archaeological zone. It was a poros distyle temple (having two columns in antis at the front), with a pronaos, cella and opisthodomos. The base of the cult statue is preserved in the cella and behind was the treasury, a pit cut into the floor to hold the temple money. It was probably dedicated to Pythian Apollo.
Ionic Naiskos of poros stone with plaster facing, used to house votive offerings.
The facade consists of poros Doric half-columns faced with plaster and supporting an entablature. Panels closed the intermediate spaces. Inside it was an open tank from which the water was drawn (mid-4th c. BC). At a later period (3rd c. BC) the tank was replaced by a well and the columns were carved with the names of the damiourgoi (eponymous priests of ancient Kameiros). Behind the fountain-house the remains of a stoa can be see. A revetment wall on three sides retained the earth fill of the upper terrace.
A four-sided square (Agora)
Opened in front of the fountain-house, where the citizens forgathered for religious ceremonies. It had three steps on the south and east sides. Walls later enclosed the north and south sides, in which were doors to admit the faithful. Half-columns embellished the north wall, and at the southeast corner there was a four-sided structure, perhaps a votive offering. The inscribed plinths on the stairs at the south side are later reconstructions by the Italians. Inscribed bases for statues and votive offerings were erected on the west side. The most important of the votive offerings was that of Panaitios, with the inscription ΘΕΟΙΣ ΠΑΣΙ – to all the gods. There are two half-finished inscribed votive offerings behind the north entrance to the Agora, one of them probably depicting a bull.
Peribolos of the Altars
On the northeast side of the third terrace along the retaining wall inscribed altars were erected, on two levels, dedicated to different deities (Agathos Daemon, Artemis, Zeus, Poseidon and others). There are remains of a large oblong altar dedicated to Helios on the first level.
A semicircular dais in front of the Peribolos of the Altars carried a votive offering
A monumental staircase between the Agora and the Peribolos of the Altars led to the residential centre.
The Perseus Project